crime fiction

Scottish crime-fictionist Denise Mina has demonstrated her versatility in recent years with modern fictional takes on historical dramas (Rizzio, Three Fires). In the vivid, crisply penned new tale, The Second Murderer (Pegasus Crime), she stretches her muscles still further, dispatching Raymond Chandler’s solitary Los Angeles gumshoe, Philip Marlowe, in search of Chrissie Montgomery, a naïve 22-year-old heiress gone missing after her engagement party. Marlowe suspects Chrissie’s repugnant father—who comes from money “so old there was […]

Christopher Huang’s twisty new whodunit, Unnatural Ends (Inkshares), should make you feel better about your own upbringing, no matter how wretched it seemed. It’s 1921, and Sir Lawrence Linwood has been bludgeoned to death in the study of his Yorkshire manse, likely by someone he knew. His three adopted, adult, and successful children—Alan, Roger, and Caroline—return home for the funeral, only to learn of a peculiar clause in their pater’s will: the one of them […]

Cosby’s rise through the crime fiction firmament has been meteoric. Three years ago, he was virtually unknown, working for his wife’s Virginia funeral parlor and dreaming of literary notice. Now, after two award-winning releases — Blacktop Wasteland and Razorblade Tears — he’s just a couple of rooms shy of being a household name, his prose celebrated for its poetic undertones, the endemic violence of his plots accepted as essential to portraying the bigotry that still plagues Southern rural […]

“The chewing gum of American literature” is how crime novelist Mickey Spillane described his books, which typically blended eye-for-an-eye justice with risqué innuendos and granite-chinned philosophizing (“Too many times naked women and death walked side by side”). And boy, did readers eat up his fiction, making his first Mike Hammer private-eye yarn, 1947’s I, the Jury, into a best-seller that spawned a dozen sequels and turned its protagonist into a radio, film, and TV fixture. […]

(Author’s note: I originally wrote this review of Erle Stanley Gardner’s wonderful 1939 novel The Bigger They Come for The Rap Sheet back in 2009. I’m reposting it here today, because that novel has just been re-released via Otto Penzler’s American Mystery Classics imprint. The Bigger They Come is a classic that every Gardner fan — and many more of today’s crime-fiction readers — should enjoy.) 2009 is shaping up to be a year in […]