On a day when the sky feels like it’s falling in any case, this news from the world of print journalism seems less chilling than it might have been at other times. From Deadline Hollywood:

As print advertising revenues continue to fall off the cliff, reviews and features related to film, theater and the rest of the arts are being cut at New York’s two prominent broadsheets, the New York Times and the Wall Street Journal. Deadline reported in August that the Times had stopped reviewing theater, restaurants and art galleries in the Metro region, and bid farewell to the free-lance critics and reporters who contributed to that coverage. That was just the precursor, however, to a more seismic shift in the Paper of Record’s plan for culture news coverage, as the Times absorbs a 19 per cent drop in third-quarter advertising revenue, according to its own report.

And while there are lots of changes afoot at the New York Times, the paper will continue to cover books and publishing, though there will be some changes to that coverage, as well:

Consolidation already has begun in the Times’ coverage of books and publishing. In August, executive editor Dean Baquet announced that the daily paper’s book critics and coverage of the publishing industry would no longer be overseen by culture news editor Danielle Mattoon but instead by Sunday Book Review editor Pamela Paul. “In order to continue and enhance our influence in a digital age we have decided to place all books coverage — daily and Sunday — in the hands of Pamela Paul, the current editor of the Sunday Book Review and one of our biggest stars,” Baquet wrote in a memo to the staff on August 17.

While quashing rumors that the Times might kill the freestanding Book Review (it’s the last U.S. paper to have one since the Los Angeles Times killed its book review in 2008), Baquet wrote, “[it] will be Pamela’s job to think about how our coverage should change and, of course, how it should not change [as] part of the continuing effort by the masthead and the 2020 group led by David Leonhardt to imagine the newsroom of the future.”

The full piece is here.

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