Last week January Magazine editor Linda L. Richards took a long look at Dietrich Kalteis’ latest book, Zero Avenue (ECW) for The Rap Sheet. From the review:

I once heard his fellow Canadian author Owen Laukannen describe Dietrich Kalteis’ writing as being like “jazz on the page.” If you want to boil Kalteis’ work down very tightly, for me descriptions just don’t get any better than that.

Kalteis’ voice is taut, tight, and if it were any more noir, it would be too dark to see. With all of that, there is a graceful muscularity to his writing. And a sparseness that reminds one of jazz, as well.

Zero Avenue (ECW Press) is Kalteis’ fifth novel, and it is confident and mature. No uneven beats here, at all. Publishers Weekly said in its review that “if a literary prize existed for depicting the most offensive club lavatories, [Zero Avenue] would win it hands down.” And while that’s pretty much true, there is so much more here than that. Kalteis’ highest ninja skill is that he can make the reader feel deeply with a simple shrug of his super-cool shoulder.

You can read the full review here.

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