Monday, September 28, 2009

Kanon’s Stardust is Pierce's Pick

One of the weekly features of January Magazine’s crime-fiction page is “Pierce’s Picks.” Every Monday, J. Kingston Pierce selects a just-published book that goes on to headline January’s crime-fiction section for the next seven days.

His selection for this week is Stardust by Joseph Kanon, while for the week of September 21st, he chose The Brutal Telling by Louise Penny.

If you have not been keeping track of what Pierce has been Picking (just try to say that five times fast), you haven’t missed the boat: 52 weeks of Pierce’s Picks are archived here. Meanwhile, if your hankering for crime fiction goes deeper still, Pierce is also the editor of January Magazine’s sister publication, The Rap Sheet, where the you can find the very best of crime fiction coverage.

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Friday, September 04, 2009

Books & Politics?

Now, obviously, January Magazine is not a political forum. Nor -- clearly -- is our sister publication, the crime fiction blog The Rap Sheet. However Rap Sheet editor J. Kingston Pierce has once again drawn the ire of some of his readers with a clearly political posting. One of the ireful comments asks if political opinion really has a place on a blog dedicated to books. My response -- not that anyone asked -- is that if you don’t see the politics in the everyday, you’re not looking in the right places. It’s all around us, it’s important and in these politically charged times, those of us with opinions need to air them when we can. And it’s fairly obvious that Pierce (who has written often about politics in other forums) has opinions! That said, here’s what has some Rap Sheet readers applauding and others fuming today:
Out of power, out of ideas, and obviously out for blood, a minority of U.S. conservatives seem also to have gone out of their minds over President Barack Obama’s planned feel-good address to students bound back to school next week. Reports The Florida Times-Union: “Although the White House says Obama will use the speech to stress ‘the importance of [students] taking responsibility for their success in school,’ Florida GOP Chairman Jim Greer said it would be an attempt to ‘indoctrinate America’s children’ into socialism.” How utterly idiotic. With the country having turned thumbs down on the Republican’t Party after eight years of failures under George W. Bush, GOPers have become unhinged in their attacks upon anything that doesn’t comport with their ideology. Claiming, in the complete absence of evidence, that Obama is trying to indoctrinate young minds in socialism should repulse any moderates who haven’t already abandoned that party. When George H.W. Bush delivered a similar speech to students back in 1991, you didn’t hear Democrats going all loony-tunes on him, did you. Of course not. More on this lunacy here, here, and here.
READ MORE:Hypocrisy Watch,” by Steve Benen (The
Washington Monthly
).

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Thursday, September 03, 2009

New Today: The Complaints by Ian Rankin

When he killed off John Rebus, his well-loved detective, in last year’s aptly named Exit Music, some people feared that might be the last we’d hear from Ian Rankin, as well. Not so. New today, The Complaints (Orion), in which we are introduced to Malcolm Fox. Though Fox is stationed not far from Rebus, his mission is a lifetime away. The Complaints is this week’s “Pierce’s Pick” here at January Magazine and, as is his habit, J. Kingston Pierce does a great job setting things up:
After penning 17 Inspector John Rebus novels, Rankin introduces a new protagonist: Edinburgh policeman Malcolm Fox, who’s tasked with investigating dirty cops. Here Fox is told to probe the activities of Jamie Breck. He doesn’t expect, though, to discover things about Breck that make him a danger to others -- including Fox himself.
But, unless you’re in the UK, don’t rush off to your local bookseller just yet, unless it’s to order: as far as I know, The Complaints is not yet scheduled for U.S. publication.

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Monday, August 24, 2009

Don’t Adjust the Horizontal


Today in The Rap Sheet’s spin-off blog, Killer Covers, J. Kingston Pierce chats with Charles Ardai, publisher of Hard Case Crime, an outfit that has been publishing interesting -- and well covered -- books ever since it debuted five years ago.

Though Pierce and Ardai have chatted before, this time out their conversation stems from yet another bit of innovative publishing: one of Hard Case’s newest titles, Russell Atwood’s Losers Live Longer, sports the Robert McGinnis-illustrated horizontal cover shown above. Says Pierce:
I couldn’t fail to feature on this page the cover of Russell Atwood’s paperback novel, Losers Live Longer. Not only is Losers the brand-new follow-up to East of A (2000), the “tough little shaggy dog tale” that introduced New York City private eye Payton Sherwood and launched the authorial career of Atwood, a former managing editor of Ellery Queen Mystery Magazine; but the book boasts a jacket illustrated by the renowned American artist Robert McGinnis -- and a horizontal jacket, to boot.
Pierce and Ardai’s conversation can be found here.

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Thursday, July 30, 2009

Review: Eiffel’s Tower by Jill Jonnes

Today in January Magazine’s non-fiction section, senior editor J. Kingston Pierce reviews Eiffel’s Tower by Jill Jonnes. Says Pierce:
In her entertaining new history, Eiffel’s Tower: And the World’s Fair Where Buffalo Bill Beguiled Paris, the Artists Quarreled, and Thomas Edison Became a Count, Baltimore author Jill Jonnes (Conquering Gotham, Empires of Light) recounts the myriad indignities leveled against Eiffel and his Tour en Fer. That criticism obviously didn’t doom the engineer’s campaign to make a bold and, at the time, very modern statement on Paris’ skyline. However, it did create obstacles that delayed work and made it difficult to complete the project in time for the fair’s opening.
The full review is here.

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Sunday, July 26, 2009

Non-Fiction: Alaska-Yukon-Pacific Exposition by Alan J. Stein, Paula Becker and the HistoryLink Staff

Although even many Seattleites seem oblivious to the fact, this summer marks the 100th anniversary of their city’s first world’s fair. It was on June 1, 1909, that the Alaska-Yukon-Pacific Exposition (A-Y-P) opened its gates and concessions on what is now the campus of the University of Washington, north of downtown. Around 80,000 people trooped through the fair on opening day, and by the time it finally shut down in mid-October of that year, more than 3.7 million tourists had passed through its turnstiles. Although the exposition wasn’t the immediate boon to local development and statewide population growth that its organizers had envisioned, it did showcase Washington’s resources and reinforced close connections between Seattle, the aborning business markets of Asia and what was then known as the District of Alaska. As the city’s present-day mayor, Greg Nickels, maintains in his foreword to the new Alaska-Yukon-Pacific Exposition, Washington’s First World’s Fair: A Timeline History, the A-Y-P “put Seattle on the national map when most of the country still considered the Pacific Northwest frontier country.”

It was inevitable that a book commemorating this centennial should be published. What’s fortunate is that this project was undertaken by the folks at HistoryLink, an ever-growing, 11-year-old Internet database of stories from Seattle’s and Washington state’s past. Alan J. Stein and Paula Becker are both historians associated with that site. They had at their fingertips a wealth of research already accumulated about events, characters and esoterica associated with the fair and the Emerald City as it existed in the early 20th century. Drawing as well from the photographic resources at the UW Libraries Special Collections, the Washington State Historical Society, and other such organizations, they have put together an image-rich and graphically elegant work that offers the reader a sense of how the A-Y-P came into being, a taste of what visitors to that extravaganza would have seen and perspective on how the 1909 exposition led Seattle to host its better-known second world’s fair in 1962.

The text recounts some of Seattle’s history before the A-Y-P, including the financial bust provoked by the Panic of 1893 and the boom that resulted from the city’s involvement in the Klondike Gold Rush of 1897-1899. It tells about the various sites considered for the expo (including what’s now Woodland Park, on Green Lake, where the city’s zoo currently stands) and the compromise that organizers had to make in order to situate the A-Y-P on the then-underdeveloped UW grounds. “One potential financial issue with the selected site,” the authors explain, “was that the sale of liquor, a big money-maker at other exhibitions, was forbidden by law within two miles of the University of Washington campus. Thus, the A-Y-P Exposition would become the only dry world’s fair in history.” And of course this book talks about all of the promotions, fund-raising, and planning that went into creating the fair, which its supporters promised would outshine Portland, Oregon’s Lewis and Clark Centennial Exposition of 1905.

One thing I had forgotten was that the Olmsted Brothers, the famous Massachusetts landscapers charged with beautifying the north Seattle exhibition grounds, had originally proposed filling them with “fair buildings modeled after traditional Russian architecture, a nod to Alaska’s settlement by Russians.” Fortunately, San Francisco architect John Galen Howard, who was hired to supervise the construction of pavilions and exhibit halls on the property, favored the more classical, “City Beautiful” look popularized by Chicago’s World’s Columbian Exposition of 1893. So there was no proliferation of onion domes, but there were plenty of elaborate friezes, cascading waterfalls and grand colonnades--including that on the Forestry Building, which promoted the Northwest’s timber industry and was fronted dramatically by 124 unpeeled fir-log columns four-and-a-half feet in diameter and 37 feet high. Less ostentatious and more brazenly bizarre edifices decorated the Pay Streak midway, where could be found “re-enactments of real events (the Monitor and the Merrimac, the Battle of Gettysburg), representatives of seemingly exotic primitive people who were actively marketed as uncivilized (the Inuit/Eskimos, the Philippine Igorrote Tribe), premature babies who passively demonstrated the efficacy of as yet unconventional technology (the Baby Incubator Exhibit), entertainers with various degrees of subtlety, amusement rides, games of skill and chance, and all manner of carnival flimflam.”

Chock-a-block with intriguing sidebars (about woman suffrage of the time and the growing use of hand-held cameras, for instance), souvenir artwork (admission tickets, buttons commemorating special days during the fair’s run, etc.), and a wonderful section devoted to profiles of every exhibition building, Alaska-Yukon-Pacific Exposition, is as much a banquet for the eyes as it is satisfying to those of us hungry for substantive history-telling.

You can take a “cybertour” of the old A-Y-P fairgrounds, and see what has become of the site, by clicking here.

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Sunday, May 24, 2009

Happy Birthday, Baby!

It was three years ago last week that we sent The Rap Sheet out onto the blogosphere on its own steam. And, wow: baby done good! As Rap Sheet editor J. Kingston Pierce noted on Friday:

It was in May 2006 that we took a chance and cut The Rap Sheet loose from its great mothership, January Magazine. We’ve been trying to fly on our own ever since, with varying degrees of success. It’s amazing to me, that not only have we racked up more than 2,800 posts on this page, but The Rap Sheet has exceeded 500,000 page views. Neither of those things seemed possible three springs ago.
The Rap Sheet started as a crime fiction-focused column here on January Magazine back in early 1999. (Which, when I think about it, actually makes this The Rap Sheet’s 10th anniversary!)

From the beginning, The Rap Sheet was fueled largely by Pierce’s knowledge and passion and while I happily lap up the occasional Rap Sheet kudo and while I do on occasion contribute to The Rap Sheet, there’s really never been any confusion about whose energy has created that amazing and tightly focused publication.

In a relatively short time, The Rap Sheet has covered a lot of ground and racked up an impressive list of accomplishments:
Over the last twelvemonth, The Rap Sheet has introduced or significantly expanded several signature features, including our series about the “25 Best TV Crime Drama Openers,” our rundown of unjustly forgotten “Books You Have to Read,” our authors’ essays on how and why they wrote their latest novels (“The Story Behind the Story”), and our seemingly never-ending exposure of copycat book covers. We’ve welcomed a number of guest bloggers into the fold, among them Gary Phillips, Patrick Lennon, Declan Burke, and Jason Starr, all of whom have since become irregular contributors. We have put together interviews with Reed Farrel Coleman, Chelsea Cain, Max Allan Collins, Craig McDonald, Martin Edwards, Giancarlo De Cataldo, Ace Atkins, Dennis Lehane, Tess Gerritsen, Andrew Taylor, Jeremy Duns, and so many others. We’ve begun holding contests to win free copies of new crime novels, and even hosted a competition whereby readers could win three free passes to CrimeFest, held earlier this month in Bristol, England. And not long ago, I debuted a companion blog, Killer Covers, that focuses on classic book jacket art.
Obviously, if you love crime fiction and you’ve not been making The Rap Sheet a regular stop, you’re clearly missing out.

Congratulations Pierce and team on three richly entertaining years!

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Tuesday, May 05, 2009

Heads Up for Pierce’s Picks

One of the weekly features of January Magazine’s crime-fiction page is “Pierce’s Picks.” Every Monday, J. Kingston Pierce selects a just-published book that goes on to headline January’s crime-fiction section for the next seven days.

His selection for this week is The Dead of Winter by Rennie Airth, while for the week of April 27, he chose Nobody Move by Denis Johnson.

If you have not been keeping track of what Pierce has been Picking (just try to say that five times fast), you haven’t missed the boat: 52 weeks of Pierce’s Picks are archived here.

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Wednesday, April 15, 2009

Thoughts on Books and Tea Parties

In his usual stylish fashion, J. Kingston Pierce at The Rap Sheet socks it to ‘em with a trenchant post on death, taxes and book covers:
I’ve been waiting for months to post this book jacket. And I could hardly have picked a better day than this: April 15, aka Tax Day in the United States. While political right-wingers and FOX News talking heads, upset at President Barack Obama’s campaign to repair the sour U.S. economy left behind by his predecessor, gather in ragtag “Tea Parties” at various points around the country to protest progressive taxation, government spending, the supposedly detrimental ideas students are taught in college (as if ignorance were really bliss), and the general fact that one of their own isn’t in charge anymore, everybody else will be filing their tax forms or feeling smug that they already completed that annual deed weeks ago.

The title of this book comes, of course, from a saying attributed to U.S. Founding Father Benjamin Franklin: “In this world nothing can be said to be certain, except death and taxes.” However, Franklin makes no appearance in the novel.
Pierce’s full post is predictably engaging and it’s here.

Do you just love that cover to death? There’s more where that came from. Pierce has been collecting them at his Killer Covers blog. Along with -- you guess it -- still more trenchant observations. Kill Covers is a must stop because, as the blog tells us, “it’s what’s upfront that counts.”

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